“Indie Rock Fires Rekindle in Chicago with Mer’s Musical Showcase”

It’s a pretty hard thing to ignore — things just aren’t like they were in the 1990s, or even the 2000s, in terms of grassroots music scenes, all across the nation. Chicago is a great measuring stick for this. I can remember, that is, a time when the outdoor ampitheatre in Tinley Park (which I … Read more“Indie Rock Fires Rekindle in Chicago with Mer’s Musical Showcase”

“Pontificating on Whether the Soul Coughing Renditions Would Work as Pop-Punk Versions”

Let me please preface this post by saying I’m a huge Soul Coughing fan and have the utmost respect for their artistic contributions in the 1990s. Their catalogue is a distinct force with, in tow, an incredible variety, dynamic and multitude of kinds of musical influences feeding its prowess. I am today dispatching from somewhat … Read more“Pontificating on Whether the Soul Coughing Renditions Would Work as Pop-Punk Versions”

“On the Potential Extent to Which The Libertines Have ‘Become Blur’ with All Quiet on the Eastern Esplanade.”

In general, most of the opinions of Blur have been pretty positive, in America, in the last 20 years, matters perhaps getting a bit murky circa 2023/2024 with their questionable festival live show and band/audience relationship, centralized at Coachella and reported copiously by NME. Interestingly, upon its release, The Ballad of Darren, an album whose … Read more“On the Potential Extent to Which The Libertines Have ‘Become Blur’ with All Quiet on the Eastern Esplanade.”

“How Epoch Might Have Informed the de facto Emotional Authenticity of ‘Jambi’”

There’s a classic knock against Fiona Apple that she’ll take any little relationship hookup and blow it up into an astronomical disaster, provided it makes good copy in her lyrics. Well, as a TOOL fan, I’d be hypocritical to accuse her of that and forgive the penchant of Maynard James Keenan of treating a “Beastie … Read more“How Epoch Might Have Informed the de facto Emotional Authenticity of ‘Jambi’”