“The Grotto”

I woke up one morning in spring and decided to look and see if Phish was doing a summer tour. At first, in high school, I hated Phish, but part of this was because my friend would invariably play me the most appalling songs, like “Makasupa Police Man” and “Slave to the Traffic Light.” Once […]

“To Simplify the Giants”

There’s an age-old knock against Led Zeppelin: that all of their success stems from essentially ripping off the early blues boys. Of course, in addition to being completely asinine, as their most famous song, the eight-minute “Stairway to Heaven” utilizes neither blues scale nor structure, it’s also hypocritical, since other bands like the Stones made […]

“Et Tu, Brute”

There’s an astonishing chasm between reality and gesture. Behind dark eyes, we retreat, we attempt at a paradigm to make sense of what’s around us. Eventually, something gets our wheels churning again, gets us back to the primal authority of the sounds of our own voices, gets us back to liking “us” better than “them.” […]

“Post #3,473”

In the grocery store, on my job of doing resets, I trudge through the motions, as befits this closed-circuit terrarium in which I’m rendered. The speakers belt out the finest in expedited, blank worship of the general term of “love,” with musical interfaces ranging structurally from fast food jingle to overly personal soap opera. I […]

“Stripping Mellon Collie and the Infinite Sadness of its Unneeded Tracks Makes it the Best Rock Album of the ’90s”

In recent years, I’ve developed the rather quirky habit of naming Adore as my favorite album by The Smashing Pumpkins. Now, obivious “hipster” accusations aside, I did cite the album’s consistency as a commendable measure ahead of Mellon Collie, and, even Siamese Dream, whose uncomfortable extremes of volume can certainly be a handful.  I mean, […]