- “Saturday Mishmash, 09/16/2017”
- “Taking a Break from Conventional Posting to Assure Everyone That Music Criticism Sucks as Bad as Everything Else Does Right Now in America”
- “The Truth about MASS MoCA and Jeff Tweedy’s Biannual Solid Sound Festival”
- “The Velvet Underground: A Brief Compendium of Allusion both Literary and Intra-Cultural, Subject and Object”
- “Applying Basic Psychology to John Wozniak’s Current Weight Problem (By the Way He’s Not THAT Fat)”
- “America, 09/02/2017”
- “After 16 Years of Action: Tracing What Liars ‘Stand for’”
- “Pandora Sucks”
- “On Charles Harrison’s Freakish Stroke of Luck at Phish, Summer 2017 New York”
- “Is Rock and Roll a Strand Which is Slowly Killing off White People?”
- “08/16/2017, America”
- “A Pop Ambush Involving Beck, Lotus Plaza… and More!”
- “Meat Puppets 101: Dolby Disaster Style”
- “The Liam Gallagher U2 Comment: Is it Inspired, or is it Nationalism, or Peer Pressure?”
- “Review Above by Mad Season? Eh, Let’s Just Make Fun of Pitchfork.”
- “A Feeble Attempt at Listing All the Things Wrong with Everclear’s White Trash Hell EP — a Nonetheless Partially Enthusing Collection of Songs for Completists”
- “List of Green Day Opening Acts”
- “311: A Criticism Compendium”
- “The Day Sub Pop Killed Wolf Parade”
- “Nirvana’s Album Bleach Does Not Exist within a Vacuum”
- “Examining a Possible Excessive Virility Element as an Explanation of CAKE’s Intermediate Popularity as a Band”
- “The Second Attraction Reggae Artist to Bob Marley: Sifting through the Many Worthy Candidates”
- “Beginning to Hash out This Big Star/Cheap Trick Rivalry over the That ‘70s Show Song”
- “A List of Mind-Bogglingly Stupid Things Which Have Been Said on Consequence of Sound and Pitchfork.”
- “Beginning to Hash Out The Veritable Explosion of Critical Sucking-up We See Online Today”
- “Look Mom, I Discovered Len (Kind of Like How Christopher Columbus ‘Discovered’ America)”
- “Beck: Is He Suffering from the ‘Salinger Condition’?”
- “The Church Bells All Were Broken: Giving ‘American Pie’ a Good ol’ Half-A**ed American Listen in Summer 2017”
- “… 1”
- “Rage against the Machine — What is This?”
- “A Roundabout Quest for Gathering the Meaning behind Ted Leo’s ‘Tell Balgeary, Balgury is Dead’”
- “Looking Back on Kill the Moonlight After 15 Years, with the Priority of Measuring and Evaluating the Band’s Talking Heads Influence”
- “…”
- “Dolby’s 12 Days of Soundgarden: Day 11 (Beginning to Parse This Whole Seattle/’Home’ Problem in Grunge)”
- “Dolby’s 12 Days of Soundgarden: Day 10 (A Roundup of Industry Perspectives on the Singer’s Life and Death)”
- “Dolby’s 12 Days of Soundgarden: Day 9 (Tracing Grunge’s Lineage as a Style and Parsing and Evaluating Soundgarden’s Self-Ingratiation Therein)”
- “Dolby’s 12 Days of Soundgarden: Day 8 (Discussing the Punk Androgyny and Uninhibited Simplicity of ‘Kickstand’)”
- “Dolby’s 12 Days of Soundgarden: Day 7 (Down on the Upside: Nice Guy’s Album or Just Album for Saps?)”
- “Dolby’s 12 Days of Soundgarden: Day 6 (The ‘Black Hole Sun’ Video as the Pinnacle of Multimedia Creative Expression)”
- “Dolby’s 12 Days of Soundgarden: Day 5 (Dismantling the Absurd Notion That Audioslave is of Any Importance Whatsoever in the Scope of Chris Cornell’s Alternative Rock Career)”
- “Dolby’s 12 Days of Soundgarden: Day 4 (What Would Be the Best Songs to Play at Chris Cornell’s Wake?)”
- “Dolby’s 12 Days of Soundgarden: Day 3 (Seeing the Grunge Prototype Stretch its ‘Tendrils’ into the British Rock of PJ Harvey)”
- “Dolby’s 12 Days of Soundgarden: Day 2 (On Soundgarden’s Undeniable Presence in Indianapolis)”
- “Coming to Terms with the Chris Cornell Suicide, My Own Way”
- “A Pointlessly Thorough Analysis of the Band Name ‘Liars’ with, Hopefully, Artistic, Sociological and Humanistic Implications (or Just Aimless Cognitive Doodlings)”
- “Cheer up, America, At Least It’s a Good Day for Conde Nast!”
- “Worst Remaster Ever: Let’s Go with Smashing Pumpkins – Siamese Dream.”
- “Unpacking Fiona Apple Discourse from over the Years (‘Cause He**, She Asked for it)”
- “‘Look for You Yesterday, Here You Come Today’: The Poem That Gave Birth to Bukowski’s Introspective Platitudes”
- “Everclear: As White Trash as My Upbringing Was”
- “Examining the Possibility of the Absurd in Grizzly Bear, 2009, with Allusion to Present Day”
- “Exposing the Shocking Discovery That Hail to the Thief is Actually Better than A Moon Shaped Pool BECAUSE it Doesn’t Recycle Songs”
- “Why I Have a Problem with SNL Spoofing Trump”
- “Taking down the Feeble Entity of ‘Electronic Rock’ (as if I Really Had to)”
- “How Did This Happen to St. Louis?”
- “Gimme Danger notes”
- “A Case Study: Has Anybody, Anywhere, on the Entire Face of the Planet, Actually Listened to the Entire Radiohead Album A Moon Shaped Pool?”
- “Dolby’s Rupees: The Beatles – ‘Within You Without You'”
- “Exposing the ‘Gimmixx’ behind Certain New 4AD Projects”
- “Some Rambling on Weezer’s, and California’s, Big Picture”
- “Examining the Morality of Moby’s Archaeological Dig ‘Flower,’ on Academy Awards Night, No Less”
- “Old Green Day Songs That the Tunes on Revolution Radio Remind Me of”
- “The Slow Formulation of the Formidable ‘Me’ on Jagged Little Pill.”
- “On Wilco, Son Volt and the Need for an Enemy”
- “1994 and the mid ‘90s: Was it a Pop… DEAD ZONE???????”
- “Go Home I’m Trying But I’ve Been Misled by Dirty Cartoons”
- “Oh Look at Me I Can’t Read Wikipedia without Getting Piping Mad”
- “Rock Stigma Refreshingly Denigrated”
- “Tracking the Move from Rock to Pop in East Coast’s Sebadoh and the West Coast’s Modest Mouse”
- “Badfinger’s Masterpiece ‘We’re for the Dark’: Was it Actually Written by Paul McCartney?”
- “Green Day – ¡Uno!, ¡Dos! and ¡Tre! (Abridged and Recapitulated)”
- “How Radio Saved Me”
- “Just Being a Di** Again: The ‘Vinyl’ Craze Annulled by Beatles Project”
- “Pearl Jam’s Vitalogy Has Never Been Remastered on CD… Why Not???”
- “Attempting to Glean They Want My Soul as a Deliberate Ploy for Making Fun of Critics and Audience Members”
- “Hereby Restating That Third Eye Blind is Not Truly Third Eye Blind without Kevin Cadogan”
- “I Can’t Afford to Go to the Better than Ezra Show in Chicago”
- “My Opinion on All This Anti-Michael Moore Yammering”
- “My Unlikely Source of Refreshing Periodical Plainness: Vanity Fair.”
- “Painted Rust on the Stones: Blue & Lonesome’s Critical Reception”
- “4th Estate and Its Moat: The New Yorker Post-Trump”
- “Jim Carrey: Maybe Untangling This and Other Messes”
- “Grateful Dead – Europe ’72: The Classic Album That Should Have Been”
- “A Bit More on Live, and What It’s Like to Have to Listen to the Wrong Album”
- “‘From a Motel 6’ and Introducing State-Dependent Artistry in Rock”
- “DD Reader’s Poll: ‘Bob Dylan Stories'”
- “Third Eye Blind/Blue Same-Tempo Pairings”
- “Vinyl Me? No Thanks”
- “A DD Sojourn: Appealing to Dennis Leary’s Sophisticated Therapy Technique of ‘Shut the fu** up!’”
- “Eve 6 is My Favorite Band Now? Eh, Things Could Be Worse”
- “‘Serf to Serf’: No Age’s Self-Fulfilling ‘Punk’ Prophecy”
- “Watchdogging East Coast Fanfare: On Bowie and More”
- “A Little Musing on the Scabrous Polarity Which Seems to Relentlessly Typify Our Society”
- “Attempting to Extract ‘Blues’ Motifs from the Erstwhile Sovereign ‘12-Bar’ System”
- “A Soup Dragons/Record Store Pep Talk”
- “On Whether True American Virtue Can Ever Disembody the ‘Hippie’”
- “Looking Back on Ryan Adams’ Red Headed Stepchild Rock N Roll, and the Most Unfortunate Phenomenon of Sounding ‘too white,’ Even When You’re Making Expressly White Music to Begin with”
- “A Bit on ‘Trucker’s Atlas’ and How Modest Mouse is Necessarily, Obstinately, White People’s Music”
- “How the New Preferential Treatment of Mainstream Music Embodies a Certain Lack of American Nationalism”
- “Ideal Site for New Summer Festival to Save the Face of Music: Why, Indiana, Of Course!”
- “Classic Album Showcase: The Sebadoh.”
- “On the Tenuous Extent to Which Rock and Roll Was Ever Intended to Tend to a ‘Society’”
- “The ’90’s as Affective Temporal Epicenter in Art (When Maybe, Adherents to Culture Were Actually The Catalyzing Ones?)”
- “Remembering John Lennon (35 Years Later)”
- “‘You Can’t Always Get What You Want’ and The Onset of ‘Dumb’ Music in Our History”
- “Feminism is for Squares: Exposing Fraud and Potentiating Rock and Roll Mojoes in Sonic Youth”
- “On Gluttony as Statements and The New Yorker’s Unique Brand of Yup-Hop”
- “A Bit on Third Eye Blind’s Impossible, Cosmic Mid-Song Contradictions”
- “A Few Sporadic Recommendations on How to Take the Potent Capsule That Is 21st Century Green Day”
- “Allotting Musics for Days of the Week”
- “Crosby, Stills & Nash as Kitsch Pop but Viable Beat Poetry, or, Tracing the Sociological Roots of ‘Hippies’”
- “A Case Emphatically in Favor of Songwriting Democracy within Bands”
- “Waxing Nostalgic on Innovation: My Current Led Zeppelin Kick”
- “The Strokes’ Future Present Past EP: A Skeptic’s Introduction to Joy Division”
- “Hypocrites Like Us: Incubus and the World of Necessary Caucasian Platitudes”
- “On Kim Deal and the Importance of Empowering Women in Realms of Self-Expression”
- “20 Years of Hype!.”
- “Spring Reading on the NME Meter: Juiced as Hell”
- “The Black Crowes: First in Indie Pop… Or Were They?”
- “Stephen McBean: On My Short List of Musical Geniuses”
- “Pitchfork’s Review of The Tipping Point: An ‘Indie-Compatible’ Artifact (Plug Your Nose)”
- “Dolby’s Rupees: Cream.”
- “Soul Asylum’s 1998 Professional Undoing Candy from a Stranger: Is it Their Best Album?”
- “One Particularly Poignant Day on Paste.”
- “Maggot Moose Mutterings on Modest Mouse Memoranda”
- “On the Natural Midwestern Aversion to Moby and Play.”
- “Lauren Holmes, Identity Whoredom and Pay-as-You-Go Discovery of the Human Mind”
- “Weighing the Pros and Cons of My NME Subscription Thus Far”
- “On the Incensing Lack of Props for Music Movies in America”
- “Looking back on ‘American Car’ after 10 Years, and How Nothing in Life is Worse than Aimlessness”
- “’90’s Revival: Don’t Forget the Melodious Diva”
- “DD Readers’ Survey: ‘How Do You Listen to Your Music?'”
- “Pontificating on Race Implications in Hoop Dreams.”
- “A Summary of the Poetic Styles Rendered within The Hollow of the Hand.”
- “Hip-Hop as British Reference Group and The Life of Pablo’s Frat-Boy Anticlimactix”
- “Don’t Knock Phineas Gage: South Bend Got Its Start on Cover Bands”
- “Artist Profile: Selena Gomez… also Alternative Grammys”
- “Framing A People’s History with The Hives’ Discography, or, Jibing in Perfect Emotional Lockstep with the Calamitous Tendencies of Human Existence? Sounds Like a Job for… The Hives!”
- “Roots and Crowns and Be He Me: Looking back after 10 Years”
- “Looking ahead to Beck at Jazz & Heritage: ‘Cause What Else is a Loser to Do?”
- “‘Baltimore’ is Great, But is it the Last Trick in the Bag for Stephen Malkmus?”
- “Hashing out the Late-’90’s Posture of Abrasiveness Nagging ‘Circles’”
- “Man, I Really Got Ripped off on This Depression Cherry Thing”
- “This is America: We Call Each Other By Our Last Names Here, Like It’s Military Combat”
- “Looking ahead to Jazz & Heritage: A Better than Ezra Compendium”
- “Straw Men and Courtney Love’s Great ‘Montage of Heck’ Heist”
- “While We’re Young: Ben Stiller’s Highly Underrated ‘America’ Montage from 2015″
- “Dolby’s Rupees: Red House Painters – ‘Funhouse'”
- “The Opening Slot: By Far the Most Interesting Aspect of This Upcoming Pearl Jam Tour”
- “The Pleasures of the Damned: Bukowski on Prozac”
- “Stevie Nicks: The Best ‘Product’ Ever”
- “A Deep, Detailed, Pertinacious Blurb on the Acute, Stupefying Stupidity of Humanity”
- “Tracking ‘Zero Chance’ by Soundgarden’s Progress at the NFL Combine”
- “Framing ‘All My Love’ as Killing-the-Critics-with-Kindness, Retrospectively”
- “Dolby’s Rupees: Soundgarden – ‘Ty Cobb'”
- “Looking back on the Critical Eye-Gouging That Surrounded Blaster.”
- “A Little Musing on Greatest-Hits Selection Ironies and Quirks”
- “Dolby’s Rupees: The Pretenders – ‘Space Invader'”
- “The Rock and Roll Hall of Fame Has Zero Validity until Jethro Tull is Inducted”
- “Stone Temple Pilots’ No. 4 as Postmodern Noise Slab”
- “Midwest Medley 12/09/2015”
- “Early December: Remembering Scott Weiland”
- “2010: The Year Rock Died”
- “Dolby’s Rupees: The Pretenders – ‘Space Invader'”
- “Built-in, Phantom Persona as Integrity’s Vehicle in Reed, Velvets and Beyond”
- “Don’t Get Any CREEM on Your Legs: Exposing the Mind-Boggling Arrogance of the Occult Magazine’s Book Compilers”
- “My ‘South Bend Three Favorite Bands’”
- “A Little Shoutout to ELO”
- “‘Between Thought and Expression Lies a Lifetime’: Applying Velvet Underground Discourse to Pearl Jam and the Eddie Vedder Quandary”
- “‘European Son’: Showcasing the Velvet Underground’s Only True Show-Stopper”
- “Re-Loaded 45th Anniversary Edition a Perfect Reissue… What?!?”
- “Jad Fair & Yo La Tengo’s Strange But True: The Great Lost Album of the ’90’s”
- “Looking ahead to Brownstein at MCA, Posing Questions”
- “Hunger Makes Me a Modern Girl Quotation Compendium”
- “A Little Musing on the Right and Wrong Times in Which to Play Smashing Pumpkins’ ‘1979’”
- “Feminism Invades Art: Jessica Hopper and Hunger at MCA”
- “One Metaphoric Wrinkle amidst Quarries of Image: The Hollow of the Hand‘s Initial Works
- “DD Reader’s Poll: Who’s Your Go-To’s?”
- “Humanity, New Poetry Books and Why I Have a Problem With Bernie Sanders”
- “Sebadoh – Bubble and Scrape: A Mixtape Maker’s Cherry Orchard, But Classic Album? Eh”
- “Case Study: Are Shamir – Ratchet and Duran Duran’s New Album… Actually the Same Album???”
- “You Are the Transcended in a Butane Bath”
- “Alice in Chains: The Boy Who Cried Wolf 20+ Years ago”
- “B’lieve I’m Goin’ Down: The Most Honest, Hard-Working Bad Music out There”
- “Third Eye Blind and the Death of the Rock Guitarist”
- “Auxiliary Post: Potential Best of The New Pornographers Collection”
- “Where Would We Be without Our Platitudinous Categories?”
- “‘Pop Star’: The Last Bit of Asbestos to Be Scraped from the Culture Mausoleum”
- “Delilah”
- “Rehashing the Wisdom of Cheap Trick… after All These Torn, Vapid Years”
- “Psychedelic British Blues Rock and Comparing British to Stanley Kubrick’s ‘Hal’ Robot”
- “Don Henley and the Myth of Success Vs. Struggle, and American Romance”
- “A Little Music Theory Rambling Update / 09.10.2015”
- “Highlighting the Explosion of Vital LA Rock in the Days of the Drought”
- “Looking ahead to Chrissie Hynde and the ‘Recklessness’ of Reality”
- “Local Music: Let’s Focus on Diversity”
- “The Pixies and the Key to Playing Old Songs (Never Having Enjoyed Them in the First Place)”
- “The Who Hits 50!: A Flaccid Commemoration Compilation to Perfectly Match the Inane Enterprise of Anniversary Tours”
- “DD Rockabillly Podcast / Summer 2015”
- “Contemporaneity and the ‘The Longest Time’ Phenomenon”
- “PJ Harvey and a Determination of Quintessential ‘Imagism'”
- “The Red Hot Chili Peppers and the Real Popular Vote”
- “This Video Game Review Thing That Happened in 2012 as Onset of Pitchfork’s Decline”
- “Preparing for High School Varsity Sports ’15-’16: The Making of a ‘Pump-up Tape'”
- “On the Absurdity of ‘Cover Letters’ in Poetry Submissions”
- “Rock and Roll Junkies: Forerunners in Preserving the Sanctity of Marriage”
- “On the Seemingly Hopeless Situation of Anachronistic ‘Grunge'”
- “Cat Power as Part of a Search for a Larger Truth”
- “On Whether Young People Even Believe in Music Anymore”
- “Rock Albums in 2015: There’s Nothing ‘Cheap’-er”
- “The Velvet Underground & Nico: Really Peeling the Banana”
- “The Ongoing Zeppelin Debate and the Quality/Jealousy/Indignation Vertex”
- “On Whether Scott Weiland and the Wildabouts are a Viable Hipster Draw”
- “Dolby’s Rupees: The Velvet Underground.”
- “The White Collar and the ‘Phat Phunk’ of Beck’s First Nadir”
- “Praising Rolling Stone’s Handling of Modest Mouse but Curtailing their Street Fight Complex”
- “Adam Duritz’ Lyrical Career Arc and Metaphor as Fitting Capsule”
- “Who Knows, Blood Circus May Have its Day Someday”
- “Favoring Paglia’s Societal Quelling of Nature over Rousseau’s ‘Chain’-Eschewing, Confidence in Shedding ‘Theory'”
- “The Faceless American Rock Conglomerate, Wikipedia, and Bob Dylan’s Intersection Therein”
- “Zombie Sex Bots”
- “(Inter-)National Blur Appreciation Week”
- “Use it and Lose it: The Amiri Baraka Reader”
- “A Stream of Consciousness on The Who and the Moral Moribundity at the End of the Rainbow”
- “DD Summer Tour Highlight: Fishbone”
- “Rock and Roll, Morality, Tommy James, and Summer Music for Hormonal 18-year-olds”
- “‘Saucer-Like’ and a Case for Lee Ronaldo as the Best Artist in Sonic Youth”
- “‘The Loeb-Leopold Tragedy’ and a Call for ‘Occupationality’ in Curricula”
- “‘Jonathan’ and Fiona Apple’s Scoffing the Eleventh Hour in Pop Anti-Virtue”
- “Crux and Catastrophe on Sparkle and Fade (Ramblings, in No Way Important)”
- “To Forge a New Indie Radio Format That’s Artistically Cognizant of the War in Iraq”
- “New Yorker: Poetry for Rich People”
- “2015: Year of the Pitchfork Johnny-Come-Lately Tramps”
- “America: Land of the Misunderstood”
- “Ability Versus Knack in ‘Heaven is a Truck’”
- “SBSB 2015 Day 1: Folk Reigns King, Karaoke We Sing”
- “Whoa, Totally Weird Mystical Personification in This Issue’s New Yorker Poetry”
- “Denouncing Pop Music in Society”
- “New York Independent Lo-fi: Focus on the Complexities First”
- “A Brief Hoisting of The Breeders’ Flagship Influence”
- “Hedonism onto Charmingly Woeful British Kitsch: Noel Gallagher”
- “The Capitalist Mentality Poisoning Rock Culture: The Pitchfork Speedy Ortiz Interview”
- “Three Songs Every South Bend, Indiana Native Needs to Know, Internalize and Relive by Way of Impromptu Interpretive Dance Whenever Possible”
- “Prevailing Logic Says New Tool Album Should Be Pretty Epic”
- “Notes on Punk, Spring 2015”
- “Waiting for the Man: A Little Enticing British Snobbery on Lou Reed”
- “Reviewing the RS Article and Looking ahead to Montage of Heck (The Documentary)”
- “A Little More Commentary on the Unfortunately Waning Level of Weirdness in American Culture”
- “A Hopelessly Meandering Endorsement: The 7 Secrets of Awakening the Highly Effective Four-Hour Giant, Today.”
- “Calling for a Chicago Hard Rock Chronicle”
- “Rock and Roll Pet Peeves Revisited: Fake British Accents”
- “On the Midwest’s Bombastic Musical Contributions to the Kevin Smith Movies”
- “An Historical Valediction of Jack White’s Geographical Move to the South”
- “America and the Maligned Life of Iron Pyrite”
- “Emancipation from Faith in Art: PJ Harvey”
- “Notes on Punk”
- “Giant Classic Rock Correction: Richard Manuel’s Suicide”
- “10 Giant Classic Rock Songs — Historics, Heroics, Holistics”
- “Privileged Writers and Social Modeling”
- “Layers of South Bend”
- “Ween and the, Excuse Me, Overly Adoptive Jam World”
- “On ‘Overproduced Poetry'”
- “Sitting Here with My Fancy Literary Mind”
- “Jefferson Airplane: Clocking in Gracefully”
- “Dolby’s WTWFI2015”
- “Music and the Seasonal Shift”
- “Men in Portland Rock”
- “Jack Endino Suite”
- “Rediscovering Art and Vision through Evasion of the Earnest: Chuck Berry on to the Fore”
- “So Close Yet So Far: The Tragically Incapacitated Whip it Official Soundtrack”
- “Punk”
- “Blood Flowing”
- “Let it Snow”
- “Impasse”
- “I Pick it Up”
- “Wind”
- “Forsaken Strangers and Sacrificial Lambs: Soul Asylum, Race and Music Since 1995”
- “LA Problems/South Bend Problems”
- “The Thoroughfare”
- “College Girl”
- “Realm of Space Kicked”
- “Orland Park”
- “Rats in Tooth”
- “Upon Emulsion”
- “Caterwaul”
- “The Machine is Created”
- “I Thought of a Man”
- “Red Rye”
- “Tracking Pearl Jam Economically and Culturally through Rock’s New Faux-Infrastructure”
- “I Went to Visit the Misanthropic”
- “Ignorace”
- “Legs and Surface”
- “Fear of Music- A Pledge to a Simpler Time (When Everything Was Toxic and Deadly)”
- “The Idle Cat in Stillness”
- “From Grinds to Pines- The Gaslight Anthem and Modest Mouse and Their Respective Geographical Coasts”
- “On the Importance, or Prominence, of Nonsensical Gibberish”
- “Zelda Williams: One More Reason Not to Be into Celebrity Culture”
- “Celebrators and Arbitrators: The Incompatibility of Frankenstein and Halloween”
- “Canada (A Poem to Pitchfork)”
- “Manifolds”
- “Cooperation”
- “A Little Rock and Roll Pontificating Via the Down on the Upside Didactic”
- “On South Bend Indiana’s Nationally Elite Grassroots Rock Scene”
- “South Bend, Indiana- The Best Grassroots Rock Scene in the Nation (Fall 2014)”
- “An Eraser”
- “Downtown Going”
- “First Fright of Aura”
- “Band of Skulls: Standing Statuesque at Attention”
- “17 Lucky Box Tops”
- “Time Out of Mind and Poetical American Golden Boy-ing”
- “Spoon and the Cognitive-Dissonance-By-Good-Enough Trap”
- “Tea Shaped”
- “A Pop Survey, September 2014”
- “Sun Cinema”
- “John Cusack an Actor and Not a Music Critic: A Sign of the Times”
- “An Absurdly Cursory Review of McCormick’s Open Mic Night, 09.23.2014”
- “On Green Day’s Liars Influence”
- “Another”
- “And now, a drink poured out for the slain inhibition”
- “Shrubbery”
- “The New Pornographers: The Most Ripped-Off Band in the World”
- “Sound and Living”
- “Michelle Bamberger, Michael Oswald and Fracking’s Opposition: Venomous, Overly Idealistic Discourse for the Naive”
- “Street Sh**-Talking as the New Genre of Music”
- “Linoleum”
- “Me in You”
- “That’s That Fake Laugh”
- “The Roller Rink”
- “One Hand Will Inculcate unto the Other: A Rumination on a Little Late-1990’s Media Hypocrisy”
- “Gear”
- “‘King Ceasar’ by Head Automatica and Critically Unacclaimed Confrontational Sublimation into Zen”
- “More Dust than Devils: Exposing the Musical Banality and Scourging Depopulation of Sound City”
- “Live Review: The Go Rounds/Evil Czech Brewery/Mishawaka, IN/09.06.2014”
- “California as Congenitally Punk via Offspring’s Americana.”
- “Sandstone”
- “Cats”
- “Home”
- “Little Sadie”
- “An Undermining of the ‘Soul’ in Love, Framing Kierkegaard’s Discussion of Don Giovanni”
- “The Singer by the Pack of Dogs”
- “Juke Box Ordinance”
- “PJ Harvey’s Uh Huh Her– Looking Back after 10 Years”
- “Volcanoes Killed the Virgin Mary”
- “Fiction Profile: Raise High the Roof Beam, Carpenters and Seymour / an Introduction by J.D. Salinger”
- “Beams”
- “Take Your Own Picture”
- “In the Newness”
- “Freeze”
- “Confusion”
- “Continuous Art as Gap-Bridging through Inveterate Uniqueness: Sharon Jones and Adele”
- “The Heavy Lymph Goddess Shows No Use for This Earth”
- “There is No Society, There is Only Victory or Defeat”
- “Motorcycle Drive By Downtown”
- “Drinkin’ Milk in the Middle of the Desert”
- “Framing Stephen Malkmus and the Jicks’ ‘Baltimore’ with that ‘America’ Song”
- “Sustaining Demon Tree”
- “Pennsylvania”
- “If Kanye West Came to South Bend, Indiana”
- “Pills Like Racket”
- “When Light is Shone on You”
- “Winter”
- “Giving the Illusion of Action”
- “Who’s Afraid of the Dandy Warhols?”
- “Blooms”
- “Carnivorous Families”
- “On the Significance of Mellowness in Quentin Tarrantino’s ’90’s Movies”
- “On the Phantom Brooding/Gratitude Continuum in Real Estate and its Historical Torque”
- “Science is the Opposite of Life”
- “Society”
- “Sidewalk Play”
- “Modest Mouse and Driving”
- “11:03 am”
- “A Pledge for CD in Everclear’s ‘My Sexual Life'”
- “A Liberal Nod to The New Yorker in Light of the Obscured Newspaper Industry”
- “Of Him in Whom We Had Faith”
- “Walk inside the Sun”
- “Hand Ellipsis”
- “Elemental Motive”
- “Poison”
- “The Animals: Saving the “A”‘s on my iTunes”
- “The Constantines: Survival Runs Through the Early ’00’s”
- “A Space for a Dog”
- “PBR Face”
- “On the Catastrophic First Night of Three of the Westville Pub’s Closing”
- “Ranking and Diagramming the 10 Best Record Labels”
- “Punk of Today: Lashing out against the Weather Mongers”
- “Defending Single Serving Friends”
- “Pearl Jam, Schoolboy Q and the World of Oxymorons”
- “The Album: Let’s Just Look at Who’s Having Fun, Shall We?”
- “Tegan and Sara Tour Preview Blurb”
- “Steel City Beat(ing)”
- “In Color”
- “A Cosmological, Contemporary Comparison of Lorde and Lily Allen”
- “‘Doin’ Time’: A Key Ignorance of Sublime in Music Criticism”
- “Getting Older Makes You More Punk: Wallowing in ‘Strawberry'”
- “Examining Each Early Green Day Album as an Individual Concept Album”
- “Knowing a Thin”
- “This Part of Downtown”
- “The Word on the STreet”
- “How Lily Allen Defies the Very Notion of Music Criticism”
- “The New Pornographers: The Big-Drum Bullies That They Always Were”
- “Keep Your Ear on the Moving Target: Pop and The National”
- “On Shakespeare’s Curiously Befouling and Pardoned Agnosticism”
- “That’s the Anthem Get Your Damn Hands Up: Cut Copy and ‘Ye”
- “Rock and Roll and Commercial Chasm, Notes”
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