- “The Best Nirvana Album: Is it Possible That it’s Bleach?”
- “The Most Dominant 1990s Sector of Culture: No Way is it Music”
- “Coll-ifornian Dreamin’”
- “Guide to American Festivals / 2018”
- “alt-J and the Birth of the ‘Rock Version’”
- “Gorillaz and ‘Music for the Listener'”
- “Issue ‘Young Vic Live’ on Its Own and It Could Be Better than Live at Leeds.”
- “Music Appreciation Class: Leave No Uncomfortable Stones Unturned”
- “Away from the Aesthetic in Culture”
- “Further on David Byrne and the Dichotomy of Pop Artist and Originator”
- “I Must Deeply Apologize but I Really Can’t Stand Vic Mensa”
- “Pearl Jam Needs New Songs in Order to Hew an Exciting Concert Experience in 2018”
- “Discovering Eternally Even Like Christopher Columbus Discovered America and Reevaluating the Place of Album Covers in Music”
- “Analyzing N.E.R.D’s All Star Game Performance and the General Position of Music in America”
- “Looking back on Fleet Foxes’ ‘He Doesn’t Know Why’ after 10 Years”
- “Inside All the Depressing Implications of the Free Press Article on the Michigan Rattlers”
- “Don’t Fret: The Black Panther Superhero Movie Really IS a Social Movement”
- “I Think Love This Giant Got St. Vincent Dropped from 4AD”
- “It’s Not Enough to Be Disrespectful”
- “What I Discovered about My Own View of Race by Researching Stand-up Comedy”
- “On the 1990s and Social Calamity Being Correlative with Artistic Quality”
- “Lou Reed and Why Rock Lyrics Don’t Work as Anthemic Quote Material”
- “On My Ever-Waning Ability to Read Catch-22 by Joseph Heller”
- “Michael Che – ‘Black Lives Matter’ Comedy Bit Transcription”
- “Midnight North and the Return of the Lame ’90s-Style Band”
- “Dude, Where’s My Hometown?”
- “Untitled 254”
- “Roots Picnic 2018… ¿Que Va?”
- “You Get One Billy Squier ‘Lonely’ Night”
- “We’re Talkin’ Originals, Mother Nuts-ers”
- “On Imagine Dragons and the Burgeoning Phenomenon of Objectively Meaningless Music (Which is Not to Say ‘Bad’ Music)”
- “Dolby’s Rupee’s: Yo La Tengo – ‘It’s Alright (The Way That You Live)’”
- “Look Ma, I Discovered Jane’s Addiction – The Great Escape Artist (Sort of Like How Christopher Columbus ‘Discovered’ America)”
- “This Holiday Season: ARE YOU THE DEACON??!!?!?”
- “Notes on Moving Back to My Hometown at 26”
- “A Little Story about moe. and the Necessity of Differences in Music Taste”
- “That Moment You Realize They Could Name a Different Beer after Every Single Song on Marcy Playground.”
- “An Analysis of Mike Doughty’s Poem ‘Other Fish,’ Slanky, p. 9″
- “A Personal Confession: I Really ‘Missed the Boat’ on Strangers to Ourselves.”
- “A Rhetorical Interrogative as to Why Almost No Attention Has Been Paid to the Beat Making Process on To the 5 Boroughs.”
- “On Spotify and iTunes: Por Que No Ween – Live in Chicago?”
- “Offering Proof That Music Can Be Objectively Bad, Since I Have Nothing Else to Do Today”
- “Why Didn’t the Wilco Show at the Palace in St. Paul WORK?”
- “‘Teachers on TV Land’ Proves That Bad Teacher Was an Influential Piece of Cinema”
- “Tracing the Theme Repetition at the End of a Pop Song to Herman’s Hermits (Something Your Grand Pappy Already Knows, Probably)”
- “Unpacking the Lyrics to ‘Turquoise Boy’ and Hypothesizing on Any Presaging Qualities They Might Have Had”
- “A Call for More Musicians to Be Named Nobel Poets, at the World’s Leisure”
- “Against Positivity in New Lyrics”
- “Shopping for Music, Fall 2017”
- “Exploring a Couple of Disarming Music Videos: Cat Power”
- “Neil Young, Spotify, and Why I Have a Problem with Calling Him ‘Grunge’ in the First Place”
- “Celebrating Musical Diversity in Indiana… ‘Cause Why the Fu** Not”
- “On Tom Petty, Aging and Complication”
- “Saturday Mishmash, 09/16/2017”
- “Taking a Break from Conventional Posting to Assure Everyone That Music Criticism Sucks as Bad as Everything Else Does Right Now in America”
- “The Truth about MASS MoCA and Jeff Tweedy’s Biannual Solid Sound Festival”
- “The Velvet Underground: A Brief Compendium of Allusion both Literary and Intra-Cultural, Subject and Object”
- “Applying Basic Psychology to John Wozniak’s Current Weight Problem (By the Way He’s Not THAT Fat)”
- “America, 09/02/2017”
- “After 16 Years of Action: Tracing What Liars ‘Stand for’”
- “Pandora Sucks”
- “On Charles Harrison’s Freakish Stroke of Luck at Phish, Summer 2017 New York”
- “Is Rock and Roll a Strand Which is Slowly Killing off White People?”
- “08/16/2017, America”
- “A Pop Ambush Involving Beck, Lotus Plaza… and More!”
- “Meat Puppets 101: Dolby Disaster Style”
- “The Liam Gallagher U2 Comment: Is it Inspired, or is it Nationalism, or Peer Pressure?”
- “Review Above by Mad Season? Eh, Let’s Just Make Fun of Pitchfork.”
- “A Feeble Attempt at Listing All the Things Wrong with Everclear’s White Trash Hell EP — a Nonetheless Partially Enthusing Collection of Songs for Completists”
- “List of Green Day Opening Acts”
- “311: A Criticism Compendium”
- “The Day Sub Pop Killed Wolf Parade”
- “Nirvana’s Album Bleach Does Not Exist within a Vacuum”
- “Examining a Possible Excessive Virility Element as an Explanation of CAKE’s Intermediate Popularity as a Band”
- “The Second Attraction Reggae Artist to Bob Marley: Sifting through the Many Worthy Candidates”
- “Beginning to Hash out This Big Star/Cheap Trick Rivalry over the That ‘70s Show Song”
- “A List of Mind-Bogglingly Stupid Things Which Have Been Said on Consequence of Sound and Pitchfork.”
- “Beginning to Hash Out The Veritable Explosion of Critical Sucking-up We See Online Today”
- “Look Mom, I Discovered Len (Kind of Like How Christopher Columbus ‘Discovered’ America)”
- “Beck: Is He Suffering from the ‘Salinger Condition’?”
- “The Church Bells All Were Broken: Giving ‘American Pie’ a Good ol’ Half-A**ed American Listen in Summer 2017”
- “… 1”
- “Rage against the Machine — What is This?”
- “A Roundabout Quest for Gathering the Meaning behind Ted Leo’s ‘Tell Balgeary, Balgury is Dead’”
- “Looking Back on Kill the Moonlight After 15 Years, with the Priority of Measuring and Evaluating the Band’s Talking Heads Influence”
- “…”
- “Dolby’s 12 Days of Soundgarden: Day 11 (Beginning to Parse This Whole Seattle/’Home’ Problem in Grunge)”
- “Dolby’s 12 Days of Soundgarden: Day 10 (A Roundup of Industry Perspectives on the Singer’s Life and Death)”
- “Dolby’s 12 Days of Soundgarden: Day 9 (Tracing Grunge’s Lineage as a Style and Parsing and Evaluating Soundgarden’s Self-Ingratiation Therein)”
- “Dolby’s 12 Days of Soundgarden: Day 8 (Discussing the Punk Androgyny and Uninhibited Simplicity of ‘Kickstand’)”
- “Dolby’s 12 Days of Soundgarden: Day 7 (Down on the Upside: Nice Guy’s Album or Just Album for Saps?)”
- “Dolby’s 12 Days of Soundgarden: Day 6 (The ‘Black Hole Sun’ Video as the Pinnacle of Multimedia Creative Expression)”
- “Dolby’s 12 Days of Soundgarden: Day 5 (Dismantling the Absurd Notion That Audioslave is of Any Importance Whatsoever in the Scope of Chris Cornell’s Alternative Rock Career)”
- “Dolby’s 12 Days of Soundgarden: Day 4 (What Would Be the Best Songs to Play at Chris Cornell’s Wake?)”
- “Dolby’s 12 Days of Soundgarden: Day 3 (Seeing the Grunge Prototype Stretch its ‘Tendrils’ into the British Rock of PJ Harvey)”
- “Dolby’s 12 Days of Soundgarden: Day 2 (On Soundgarden’s Undeniable Presence in Indianapolis)”
- “Coming to Terms with the Chris Cornell Suicide, My Own Way”
- “A Pointlessly Thorough Analysis of the Band Name ‘Liars’ with, Hopefully, Artistic, Sociological and Humanistic Implications (or Just Aimless Cognitive Doodlings)”
- “Cheer up, America, At Least It’s a Good Day for Conde Nast!”
- “Worst Remaster Ever: Let’s Go with Smashing Pumpkins – Siamese Dream.”
- “Unpacking Fiona Apple Discourse from over the Years (‘Cause He**, She Asked for it)”
- “‘Look for You Yesterday, Here You Come Today’: The Poem That Gave Birth to Bukowski’s Introspective Platitudes”
- “Everclear: As White Trash as My Upbringing Was”
- “Examining the Possibility of the Absurd in Grizzly Bear, 2009, with Allusion to Present Day”
- “Exposing the Shocking Discovery That Hail to the Thief is Actually Better than A Moon Shaped Pool BECAUSE it Doesn’t Recycle Songs”
- “Why I Have a Problem with SNL Spoofing Trump”
- “Taking down the Feeble Entity of ‘Electronic Rock’ (as if I Really Had to)”
- “How Did This Happen to St. Louis?”
- “Gimme Danger notes”
- “A Case Study: Has Anybody, Anywhere, on the Entire Face of the Planet, Actually Listened to the Entire Radiohead Album A Moon Shaped Pool?”
- “Dolby’s Rupees: The Beatles – ‘Within You Without You'”
- “Exposing the ‘Gimmixx’ behind Certain New 4AD Projects”
- “Some Rambling on Weezer’s, and California’s, Big Picture”
- “Examining the Morality of Moby’s Archaeological Dig ‘Flower,’ on Academy Awards Night, No Less”
- “Old Green Day Songs That the Tunes on Revolution Radio Remind Me of”
- “The Slow Formulation of the Formidable ‘Me’ on Jagged Little Pill.”
- “On Wilco, Son Volt and the Need for an Enemy”
- “1994 and the mid ‘90s: Was it a Pop… DEAD ZONE???????”
- “Go Home I’m Trying But I’ve Been Misled by Dirty Cartoons”
- “Oh Look at Me I Can’t Read Wikipedia without Getting Piping Mad”
- “Rock Stigma Refreshingly Denigrated”
- “Tracking the Move from Rock to Pop in East Coast’s Sebadoh and the West Coast’s Modest Mouse”
- “Badfinger’s Masterpiece ‘We’re for the Dark’: Was it Actually Written by Paul McCartney?”
- “Green Day – ¡Uno!, ¡Dos! and ¡Tre! (Abridged and Recapitulated)”
- “How Radio Saved Me”
- “Just Being a Di** Again: The ‘Vinyl’ Craze Annulled by Beatles Project”
- “Pearl Jam’s Vitalogy Has Never Been Remastered on CD… Why Not???”
- “Attempting to Glean They Want My Soul as a Deliberate Ploy for Making Fun of Critics and Audience Members”
- “Hereby Restating That Third Eye Blind is Not Truly Third Eye Blind without Kevin Cadogan”
- “I Can’t Afford to Go to the Better than Ezra Show in Chicago”
- “My Opinion on All This Anti-Michael Moore Yammering”
- “My Unlikely Source of Refreshing Periodical Plainness: Vanity Fair.”
- “Painted Rust on the Stones: Blue & Lonesome’s Critical Reception”
- “4th Estate and Its Moat: The New Yorker Post-Trump”
- “Jim Carrey: Maybe Untangling This and Other Messes”
- “Grateful Dead – Europe ’72: The Classic Album That Should Have Been”
- “A Bit More on Live, and What It’s Like to Have to Listen to the Wrong Album”
- “‘From a Motel 6’ and Introducing State-Dependent Artistry in Rock”
- “DD Reader’s Poll: ‘Bob Dylan Stories'”
- “Third Eye Blind/Blue Same-Tempo Pairings”
- “Vinyl Me? No Thanks”
- “A DD Sojourn: Appealing to Dennis Leary’s Sophisticated Therapy Technique of ‘Shut the fu** up!’”
- “Eve 6 is My Favorite Band Now? Eh, Things Could Be Worse”
- “‘Serf to Serf’: No Age’s Self-Fulfilling ‘Punk’ Prophecy”
- “Watchdogging East Coast Fanfare: On Bowie and More”
- “A Little Musing on the Scabrous Polarity Which Seems to Relentlessly Typify Our Society”
- “Attempting to Extract ‘Blues’ Motifs from the Erstwhile Sovereign ‘12-Bar’ System”
- “A Soup Dragons/Record Store Pep Talk”
- “On Whether True American Virtue Can Ever Disembody the ‘Hippie’”
- “Looking Back on Ryan Adams’ Red Headed Stepchild Rock N Roll, and the Most Unfortunate Phenomenon of Sounding ‘too white,’ Even When You’re Making Expressly White Music to Begin with”
- “A Bit on ‘Trucker’s Atlas’ and How Modest Mouse is Necessarily, Obstinately, White People’s Music”
- “How the New Preferential Treatment of Mainstream Music Embodies a Certain Lack of American Nationalism”
- “Ideal Site for New Summer Festival to Save the Face of Music: Why, Indiana, Of Course!”
- “Classic Album Showcase: The Sebadoh.”
- “On the Tenuous Extent to Which Rock and Roll Was Ever Intended to Tend to a ‘Society’”
- “The ’90’s as Affective Temporal Epicenter in Art (When Maybe, Adherents to Culture Were Actually The Catalyzing Ones?)”
- “Remembering John Lennon (35 Years Later)”
- “‘You Can’t Always Get What You Want’ and The Onset of ‘Dumb’ Music in Our History”
- “Feminism is for Squares: Exposing Fraud and Potentiating Rock and Roll Mojoes in Sonic Youth”
- “On Gluttony as Statements and The New Yorker’s Unique Brand of Yup-Hop”
- “A Bit on Third Eye Blind’s Impossible, Cosmic Mid-Song Contradictions”
- “A Few Sporadic Recommendations on How to Take the Potent Capsule That Is 21st Century Green Day”
- “Allotting Musics for Days of the Week”
- “Crosby, Stills & Nash as Kitsch Pop but Viable Beat Poetry, or, Tracing the Sociological Roots of ‘Hippies’”
- “A Case Emphatically in Favor of Songwriting Democracy within Bands”
- “Waxing Nostalgic on Innovation: My Current Led Zeppelin Kick”
- “The Strokes’ Future Present Past EP: A Skeptic’s Introduction to Joy Division”
- “Hypocrites Like Us: Incubus and the World of Necessary Caucasian Platitudes”
- “On Kim Deal and the Importance of Empowering Women in Realms of Self-Expression”
- “20 Years of Hype!.”
- “Spring Reading on the NME Meter: Juiced as Hell”
- “The Black Crowes: First in Indie Pop… Or Were They?”
- “Stephen McBean: On My Short List of Musical Geniuses”
- “Pitchfork’s Review of The Tipping Point: An ‘Indie-Compatible’ Artifact (Plug Your Nose)”
- “Dolby’s Rupees: Cream.”
- “Soul Asylum’s 1998 Professional Undoing Candy from a Stranger: Is it Their Best Album?”
- “One Particularly Poignant Day on Paste.”
- “Maggot Moose Mutterings on Modest Mouse Memoranda”
- “On the Natural Midwestern Aversion to Moby and Play.”
- “Lauren Holmes, Identity Whoredom and Pay-as-You-Go Discovery of the Human Mind”
- “Weighing the Pros and Cons of My NME Subscription Thus Far”
- “On the Incensing Lack of Props for Music Movies in America”
- “Looking back on ‘American Car’ after 10 Years, and How Nothing in Life is Worse than Aimlessness”
- “’90’s Revival: Don’t Forget the Melodious Diva”
- “DD Readers’ Survey: ‘How Do You Listen to Your Music?'”
- “Pontificating on Race Implications in Hoop Dreams.”
- “A Summary of the Poetic Styles Rendered within The Hollow of the Hand.”
- “Hip-Hop as British Reference Group and The Life of Pablo’s Frat-Boy Anticlimactix”
- “Don’t Knock Phineas Gage: South Bend Got Its Start on Cover Bands”
- “Artist Profile: Selena Gomez… also Alternative Grammys”
- “Framing A People’s History with The Hives’ Discography, or, Jibing in Perfect Emotional Lockstep with the Calamitous Tendencies of Human Existence? Sounds Like a Job for… The Hives!”
- “Roots and Crowns and Be He Me: Looking back after 10 Years”
- “Looking ahead to Beck at Jazz & Heritage: ‘Cause What Else is a Loser to Do?”
- “‘Baltimore’ is Great, But is it the Last Trick in the Bag for Stephen Malkmus?”
- “Hashing out the Late-’90’s Posture of Abrasiveness Nagging ‘Circles’”
- “Man, I Really Got Ripped off on This Depression Cherry Thing”
- “This is America: We Call Each Other By Our Last Names Here, Like It’s Military Combat”
- “Looking ahead to Jazz & Heritage: A Better than Ezra Compendium”
- “Straw Men and Courtney Love’s Great ‘Montage of Heck’ Heist”
- “While We’re Young: Ben Stiller’s Highly Underrated ‘America’ Montage from 2015″
- “Dolby’s Rupees: Red House Painters – ‘Funhouse'”
- “The Opening Slot: By Far the Most Interesting Aspect of This Upcoming Pearl Jam Tour”
- “The Pleasures of the Damned: Bukowski on Prozac”
- “Stevie Nicks: The Best ‘Product’ Ever”
- “A Deep, Detailed, Pertinacious Blurb on the Acute, Stupefying Stupidity of Humanity”
- “Tracking ‘Zero Chance’ by Soundgarden’s Progress at the NFL Combine”
- “Framing ‘All My Love’ as Killing-the-Critics-with-Kindness, Retrospectively”
- “Dolby’s Rupees: Soundgarden – ‘Ty Cobb'”
- “Looking back on the Critical Eye-Gouging That Surrounded Blaster.”
- “A Little Musing on Greatest-Hits Selection Ironies and Quirks”
- “Dolby’s Rupees: The Pretenders – ‘Space Invader'”
- “The Rock and Roll Hall of Fame Has Zero Validity until Jethro Tull is Inducted”
- “Stone Temple Pilots’ No. 4 as Postmodern Noise Slab”
- “Midwest Medley 12/09/2015”
- “Early December: Remembering Scott Weiland”
- “2010: The Year Rock Died”
- “Dolby’s Rupees: The Pretenders – ‘Space Invader'”
- “Built-in, Phantom Persona as Integrity’s Vehicle in Reed, Velvets and Beyond”
- “Don’t Get Any CREEM on Your Legs: Exposing the Mind-Boggling Arrogance of the Occult Magazine’s Book Compilers”
- “My ‘South Bend Three Favorite Bands’”
- “A Little Shoutout to ELO”
- “‘Between Thought and Expression Lies a Lifetime’: Applying Velvet Underground Discourse to Pearl Jam and the Eddie Vedder Quandary”
- “‘European Son’: Showcasing the Velvet Underground’s Only True Show-Stopper”
- “Re-Loaded 45th Anniversary Edition a Perfect Reissue… What?!?”
- “Jad Fair & Yo La Tengo’s Strange But True: The Great Lost Album of the ’90’s”
- “Looking ahead to Brownstein at MCA, Posing Questions”
- “Hunger Makes Me a Modern Girl Quotation Compendium”
- “A Little Musing on the Right and Wrong Times in Which to Play Smashing Pumpkins’ ‘1979’”
- “Feminism Invades Art: Jessica Hopper and Hunger at MCA”
- “One Metaphoric Wrinkle amidst Quarries of Image: The Hollow of the Hand‘s Initial Works
- “DD Reader’s Poll: Who’s Your Go-To’s?”
- “Humanity, New Poetry Books and Why I Have a Problem With Bernie Sanders”
- “Sebadoh – Bubble and Scrape: A Mixtape Maker’s Cherry Orchard, But Classic Album? Eh”
- “Case Study: Are Shamir – Ratchet and Duran Duran’s New Album… Actually the Same Album???”
- “You Are the Transcended in a Butane Bath”
- “Alice in Chains: The Boy Who Cried Wolf 20+ Years ago”
- “B’lieve I’m Goin’ Down: The Most Honest, Hard-Working Bad Music out There”
- “Third Eye Blind and the Death of the Rock Guitarist”
- “Auxiliary Post: Potential Best of The New Pornographers Collection”
- “Where Would We Be without Our Platitudinous Categories?”
- “‘Pop Star’: The Last Bit of Asbestos to Be Scraped from the Culture Mausoleum”
- “Delilah”
- “Rehashing the Wisdom of Cheap Trick… after All These Torn, Vapid Years”
- “Psychedelic British Blues Rock and Comparing British to Stanley Kubrick’s ‘Hal’ Robot”
- “Don Henley and the Myth of Success Vs. Struggle, and American Romance”
- “A Little Music Theory Rambling Update / 09.10.2015”
- “Highlighting the Explosion of Vital LA Rock in the Days of the Drought”
- “Looking ahead to Chrissie Hynde and the ‘Recklessness’ of Reality”
- “Local Music: Let’s Focus on Diversity”
- “The Pixies and the Key to Playing Old Songs (Never Having Enjoyed Them in the First Place)”
- “The Who Hits 50!: A Flaccid Commemoration Compilation to Perfectly Match the Inane Enterprise of Anniversary Tours”
- “DD Rockabillly Podcast / Summer 2015”
- “Contemporaneity and the ‘The Longest Time’ Phenomenon”
- “PJ Harvey and a Determination of Quintessential ‘Imagism'”
- “The Red Hot Chili Peppers and the Real Popular Vote”
- “This Video Game Review Thing That Happened in 2012 as Onset of Pitchfork’s Decline”
- “Preparing for High School Varsity Sports ’15-’16: The Making of a ‘Pump-up Tape'”
- “On the Absurdity of ‘Cover Letters’ in Poetry Submissions”
- “Rock and Roll Junkies: Forerunners in Preserving the Sanctity of Marriage”
- “On the Seemingly Hopeless Situation of Anachronistic ‘Grunge'”
- “Cat Power as Part of a Search for a Larger Truth”
- “On Whether Young People Even Believe in Music Anymore”
- “Rock Albums in 2015: There’s Nothing ‘Cheap’-er”
- “The Velvet Underground & Nico: Really Peeling the Banana”
- “The Ongoing Zeppelin Debate and the Quality/Jealousy/Indignation Vertex”
- “On Whether Scott Weiland and the Wildabouts are a Viable Hipster Draw”
- “Dolby’s Rupees: The Velvet Underground.”
- “The White Collar and the ‘Phat Phunk’ of Beck’s First Nadir”
- “Praising Rolling Stone’s Handling of Modest Mouse but Curtailing their Street Fight Complex”
- “Adam Duritz’ Lyrical Career Arc and Metaphor as Fitting Capsule”
- “Who Knows, Blood Circus May Have its Day Someday”
- “Favoring Paglia’s Societal Quelling of Nature over Rousseau’s ‘Chain’-Eschewing, Confidence in Shedding ‘Theory'”
- “The Faceless American Rock Conglomerate, Wikipedia, and Bob Dylan’s Intersection Therein”
- “Zombie Sex Bots”
- “(Inter-)National Blur Appreciation Week”
- “Use it and Lose it: The Amiri Baraka Reader”
- “A Stream of Consciousness on The Who and the Moral Moribundity at the End of the Rainbow”
- “DD Summer Tour Highlight: Fishbone”
- “Rock and Roll, Morality, Tommy James, and Summer Music for Hormonal 18-year-olds”
- “‘Saucer-Like’ and a Case for Lee Ronaldo as the Best Artist in Sonic Youth”
- “‘The Loeb-Leopold Tragedy’ and a Call for ‘Occupationality’ in Curricula”
- “‘Jonathan’ and Fiona Apple’s Scoffing the Eleventh Hour in Pop Anti-Virtue”
- “Crux and Catastrophe on Sparkle and Fade (Ramblings, in No Way Important)”
- “To Forge a New Indie Radio Format That’s Artistically Cognizant of the War in Iraq”
- “New Yorker: Poetry for Rich People”
- “2015: Year of the Pitchfork Johnny-Come-Lately Tramps”
- “America: Land of the Misunderstood”
- “Ability Versus Knack in ‘Heaven is a Truck’”
- “SBSB 2015 Day 1: Folk Reigns King, Karaoke We Sing”
- “Whoa, Totally Weird Mystical Personification in This Issue’s New Yorker Poetry”
- “Denouncing Pop Music in Society”
- “New York Independent Lo-fi: Focus on the Complexities First”
- “A Brief Hoisting of The Breeders’ Flagship Influence”
- “Hedonism onto Charmingly Woeful British Kitsch: Noel Gallagher”
- “The Capitalist Mentality Poisoning Rock Culture: The Pitchfork Speedy Ortiz Interview”
- “Three Songs Every South Bend, Indiana Native Needs to Know, Internalize and Relive by Way of Impromptu Interpretive Dance Whenever Possible”
- “Prevailing Logic Says New Tool Album Should Be Pretty Epic”
- “Notes on Punk, Spring 2015”
- “Waiting for the Man: A Little Enticing British Snobbery on Lou Reed”
- “Reviewing the RS Article and Looking ahead to Montage of Heck (The Documentary)”
- “A Little More Commentary on the Unfortunately Waning Level of Weirdness in American Culture”
- “A Hopelessly Meandering Endorsement: The 7 Secrets of Awakening the Highly Effective Four-Hour Giant, Today.”
- “Calling for a Chicago Hard Rock Chronicle”
- “Rock and Roll Pet Peeves Revisited: Fake British Accents”
- “On the Midwest’s Bombastic Musical Contributions to the Kevin Smith Movies”
- “An Historical Valediction of Jack White’s Geographical Move to the South”
- “America and the Maligned Life of Iron Pyrite”
- “Emancipation from Faith in Art: PJ Harvey”
- “Notes on Punk”
- “Giant Classic Rock Correction: Richard Manuel’s Suicide”
- “10 Giant Classic Rock Songs — Historics, Heroics, Holistics”
- “Privileged Writers and Social Modeling”
- “Layers of South Bend”
- “Ween and the, Excuse Me, Overly Adoptive Jam World”
- “On ‘Overproduced Poetry'”
- “Sitting Here with My Fancy Literary Mind”
- “Jefferson Airplane: Clocking in Gracefully”
- “Dolby’s WTWFI2015”
- “Music and the Seasonal Shift”
- “Men in Portland Rock”
- “Jack Endino Suite”
- “Rediscovering Art and Vision through Evasion of the Earnest: Chuck Berry on to the Fore”
- “So Close Yet So Far: The Tragically Incapacitated Whip it Official Soundtrack”
- “Punk”
- “Blood Flowing”
- “Let it Snow”
- “Impasse”
- “I Pick it Up”
- “Wind”
- “Forsaken Strangers and Sacrificial Lambs: Soul Asylum, Race and Music Since 1995”
- “LA Problems/South Bend Problems”
- “The Thoroughfare”
- “College Girl”
- “Realm of Space Kicked”
- “Orland Park”
- “Rats in Tooth”
- “Upon Emulsion”
- “Caterwaul”
- “The Machine is Created”
- “I Thought of a Man”
- “Red Rye”
- “Tracking Pearl Jam Economically and Culturally through Rock’s New Faux-Infrastructure”
- “I Went to Visit the Misanthropic”
- “Ignorace”
- “Legs and Surface”
- “Fear of Music- A Pledge to a Simpler Time (When Everything Was Toxic and Deadly)”
- “The Idle Cat in Stillness”
- “From Grinds to Pines- The Gaslight Anthem and Modest Mouse and Their Respective Geographical Coasts”
- “On the Importance, or Prominence, of Nonsensical Gibberish”
- “Zelda Williams: One More Reason Not to Be into Celebrity Culture”
- “Celebrators and Arbitrators: The Incompatibility of Frankenstein and Halloween”
- “Canada (A Poem to Pitchfork)”
- “Manifolds”
- “Cooperation”
- “A Little Rock and Roll Pontificating Via the Down on the Upside Didactic”
- “On South Bend Indiana’s Nationally Elite Grassroots Rock Scene”
- “South Bend, Indiana- The Best Grassroots Rock Scene in the Nation (Fall 2014)”
- “An Eraser”
- “Downtown Going”
- “First Fright of Aura”
- “Band of Skulls: Standing Statuesque at Attention”
- “17 Lucky Box Tops”
- “Time Out of Mind and Poetical American Golden Boy-ing”
- “Spoon and the Cognitive-Dissonance-By-Good-Enough Trap”
- “Tea Shaped”
- “A Pop Survey, September 2014”
- “Sun Cinema”
- “John Cusack an Actor and Not a Music Critic: A Sign of the Times”
- “An Absurdly Cursory Review of McCormick’s Open Mic Night, 09.23.2014”
- “On Green Day’s Liars Influence”
- “Another”
- “And now, a drink poured out for the slain inhibition”
- “Shrubbery”
- “The New Pornographers: The Most Ripped-Off Band in the World”
- “Sound and Living”
- “Michelle Bamberger, Michael Oswald and Fracking’s Opposition: Venomous, Overly Idealistic Discourse for the Naive”
- “Street Sh**-Talking as the New Genre of Music”
- “Linoleum”
- “Me in You”
- “That’s That Fake Laugh”
- “The Roller Rink”
- “One Hand Will Inculcate unto the Other: A Rumination on a Little Late-1990’s Media Hypocrisy”
- “Gear”
- “‘King Ceasar’ by Head Automatica and Critically Unacclaimed Confrontational Sublimation into Zen”
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- “A Space for a Dog”
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- “Defending Single Serving Friends”
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- “Steel City Beat(ing)”
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- “Rock and Roll and Commercial Chasm, Notes”
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- “I Migrate to Where Smiling is the Default”
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- “Album Spotlight: Billy Squier – Emotions in Motion.”
- “Buried within the Brushes of the Parochial School”
- “Defending the Coalition against Blaxploitation”
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- “Introduction to Broad Jim: A DD Sci-Fi Metamorphosis”
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- “Chicago Music, and Other Things”
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- “Identifying The Lonesome Crowded West Amidst the Larger Discography”
- “Zen, Toward a Quantifiable Vanquishment of Belligerence”
- “The Super Bowl’s Happened”
- “Born into This: A Condescending Cake Walk for a Once Fearless Articulator”
- “Life, or the Shot, is a Matter of a Bent Whisker”
- “‘Eon’ by Supergrass: The Song’s Meaning at a Dot Com”
- “A Dismemberment Plan Last-Three-Album Compendium Culminating in This Year’s Strong Effort Uncanney Valley.”
- “The Stylee”
- “Twin Shadow’s Confess: Dissecting the Album that Is”
- “Cate Le Bon: A Kind of Stereolab Meets Hot Hot Heat”
- “During an Afternoon”
- “DD Mix CD”
- “DD Review: Stephen Malkmus & The Jicks – ‘Lariat'”
- “‘Inspiration’ and its Overrated Aspects in Today’s Culture: The GEICO Commercial with ‘Midnight Rider'”
- “A Left Liberal Tendering of Protected Free Speech by Responsible Bureaucracy”
- “Unwatchable driveL: A One-Act Play”
- “With Flowers”
- “Lou,”
- “Blitzen Trapper: Uh… The New Album is American Goldwing.”
- “Open Your Heart as Evidence of Music Criticism’s Like Negligence of LP Form”
- “Beck in 2013: Breaking Down the Door of ‘Postmodern Rock’ Didactic, Sifting Through ‘Fans'”
- “Under Spotlights”
- “A Nod for Gorillaz and Greatest Hits Collections”
- “Punk is Expression”
- “Dolby’s Rupees: ‘The Scientist’ by Coldplay”
- “Bass Drum Dream: First Impressions of the Califone Track (Four Stars out of Five)”
- “Sampling: The Redheaded Stepchild of Hip-Hop”
- “Let the Hated Feel Blessed: Tracking Hip-Hop’s Functional Arc in Society”
- “Dolby’s Rupees: ‘Don’t Let Me Down’ by The Beatles”
- “Counting the Chips on ‘Pride'”
- “No Longer Human as Surrogate for the Bukowski Myth”
- “Tracking Purebred Rock and Roll by Decade”
- “The Illusion of Victory”
- “Praying for a Movement in the Light: On the Cultural Hutch on American Grassroots Music”
- “Swivel Chair with No Desk”
- “Yellow Fade to Grey, Downtown”
- “‘Soul,’ Revisited”
- “Up from the Practice and off of the Tongue: Camera Obscura in 2013”
- “The Guided by Voices Man and His Aversion to Homework”
- “Hip-Hop and Electronica… Sniff, Where’s Al Bundy?”
- “Phoenix: Hands on the Wheel, Casually”
- “Method Man — The Luckiest Member of Wu-Tang”
- “Dolby’s Rupees: ‘Rhythm and Soul’ by Spoon”
- “Putting the Pieces of the Puzzle Together: Black Thought from Mo’ Meta“
- “Summer is a Time for the Second Talking Heads Album”
- “Talking Heads or Buzzcocks?”
- “A Bit on Fade and Yo La Tengo”
- “Mellow Songs that Absolve Anger”
- “Bonobo: Giving Due Props”
- “Initial Muse Appendage Extermination: Sorting Ziggy Stardust within the Bowie Cat.”
- “It’s How You Show it”
- “Full Up”
- “Elation en Ether”
- “Dream Manipulation of the Potential Reality of the Ego in Train (sic)”
- “Majority’s Rules”
- “Heat Transfer”
- “Disgusting or Awkward Hip-Hop Lyrics on Otherwise Solid Cuts”
- “Around the Way Girl”
- “Robotics and Their Language Arts Cousin — Theory”
- “A Car and a Job”
- “Cell Phone Army”
- “Monomania: Deerhunter’s Genre Retreat”
- “The Harped Buzzing of Solace”
- “Lightning in a Fast World”
- “Presence: Led Zeppelin’s Underrated Return to Form”
- “Crank in a Capsule: I Wish My Brother George Was Here.”
- “Lou Barlow: Bored and Disconnected as Ever”
- “At Morehead State”
- “Street Knowledge Displayed on TV”
- “Definition”
- “Top 5 Radio Pop Singles of 2012”
- “Middle of Nowhere, Center of Bounce”
- “A Hopefully Destructive Gush”
- “Chillin'”
- “Ween and Their ‘Real’ Alternative Viceroys”
- “Video Reviews: Julia Holter – ‘Goddess Eyes II’ and ‘Our Sorrows'”
- “Mudhoney: Like a White Bad Brains”
- “Picking Up an Empty Mountain Dew Can”
- “You’re Spying On Your Job!”
- “Orientation Speech”
- “Lex Hives: Flawless Production Buoyed By Pelle Almqvist’s Personas”
- “Life in or around Chicago”
- “Lower Dens: The Beast That Ate Music in 2012”
- “Kurt Cobain and Soul Coughing’s Mike Doughty: Drawing Comparisons”
- “‘That Demo’: Spotlighting a Low-Profile But Intriguing Nirvana Recording”
- “Another Visit”
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