- “Saturday Night Lie: How ‘Comedic’ Trump Trolling Encompasses a Complete Materialization of Frank Zappa’s Dystopic View of Politics”
- “On Our Closing Decade, While We’re Young and the Death of True American Cinema”
- “I Have No Choice but to Hereby Proclaim XTC Un-Cover-able”
- “Making (I Think) a Strong Case for Canned Heat’s ‘Going up the Country’ as the Most Plagiarized Song of All Time”
- “Answering Questions with Questions with Questions with Questions on ‘Possum Kingdom’”
- “Well, This is Going to Be a Tough One for Ol’ Davey Grohl”
- “Dave Matthews Band’s The Central Park Concert is Not Typically Considered One of the Classic Live Albums of All Time… What the Hey?”
- “Rolling Stumped”
- “I Just Sat back and Marveled at All the Stupid Shares of Satires People Thought Were Patriotic”
- “So Yeah Apparently Someone Slipped Dave Pirner a Tab of Acid at a Show One Time”
- “Showcasing the Coney Island Baby Liner Notes”
- “Califone is My Favorite Band of All Time. I Tried to Guess Their Top Five Most Streamed Songs on Spotify. I Got Two Right out of Five.”
- “Pontificating on the Prospective Plausibility of The Velvet Underground, Lou Reed, Covers, and the Partial or Complete Confluence of the Three”
- “It May Be Early but LIVE Is Establishing Itself as the Better Touring Band on the Altimate Tour”
- “Nirvana Once Wrote a Song about Old Age. It’s Called ‘Old Age.’ Here’s My Analysis of it.”
- “On the Importance of Reference and Knowledge in ‘Emcee Skill’”
- “Wrangler Jeans”
- “An Unorganized List of Things That Are Right and Wrong with Jefferson Airplane, Respectively”
- “On This Paul McCartney Egypt Station Tip, DMIID”
- “An Analysis of ‘A Day in the Life’ by the Beatles”
- “On a Magazine Cover”
- “So Yeah, I’m Guessing That Courtney Love Just Mandated That Kurt Cobain Hate Ugly Kid Joe, and That’s What Happened”
- “The Popularity of this Weyes Blood Chick is Really Hampering My (Already Absent) Faith in Humanity”
- “I Literally Cannot Make Comments on Public Facebook Posts”
- “Beginning to Posit a Numerological Theory on ‘The Lengths’ and Other Classic Number Sevens”
- “Hey Hardcore Smiths Fan, Am I a Douche Bag for Only Listening to Best… I?”
- “A Critique of the World”
- “This J. Cole Guy is Really Sticking in My Craw”
- “Attempting to Track My Relationship with Devils & Dust over the Years”
- “How to Correctly Discuss Mike Doughty’s ‘Grey Ghost’ with a Lazy, Glaze-Eyed Scowl”
- “Ruby Vroom Tour Patchy, ‘Hit or Miss,’ Contingent upon Variation for Power”
- “I Need Some Ryan Adams Replacement Music… Huh Youth and Young Manhood Should Work”
- “‘Give Me One Reason’ by Tracy Chapman is the Best Song of All Time. Prove Me Wrong.”
- “I Stared at My Ryan Adams Gold CD for 30 Seconds and then Put in Who is Jill Scott?”
- “Gary Clark, Jr. — Music for If You’ve Never Heard of, Like, Rock and Hip-Hop, and Stuff”
- “Sowing the Seeds of Murder with Our Ol’ Buddy Angus Andrew”
- “Fishing in the Dark for Recording Information on an Unsung ’90s Hit (Insert Cheesy Titular Pun Here)”
- “Ok, the 30th Anniversary Hoop-La is over. Now Let’s Get down to the Brass Tacks of What’s Really Going on at Sub Pop.”
- “Going Nowhere Fast: How Head Automatica Tragically Fizzled out in the Last Decade and Change
- “Head Automatic Notes”
- “The Big Rock Covers Single of 2018: it Should Have Been Joe Perry’s ‘Eve of Destruction’”
- “We’ve All Heard about the Internal Squabbles amongst the Soul Coughing Members… Well Heeeere’s What IIIIII Think”
- “Certified DD Classic Album Status: Moth – Provisions, Fiction and Gear.”
- “A Bit on High Places and Their Unusual Sort of Career Downfall; also, Against Objectivity in Qualitative Musical Assessments”
- “Green Day’s Uno! as ‘Found Art’”
- “Just Really Feelin’ Saturday Night Live again Last Night”
- “This Broadcast Album Tender Buttons is Horrifyingly Beautiful”
- “Here’s Where I Pompously Chime in about Pete Davidson and Act Like I Have Any Perspective on the Situation”
- “Culture is a Privilege and Not a Right”
- “Just Rambling about This Other Dream I Had and Perhaps Briefly Discussing Persona”
- “I Dreamed up Some Funny Scenes for the Seinfeld Movie”
- “Late ’90s Suite: Barenaked Ladies and Blink-182”
- “David Bowie’s Been Dead for a While Now and the Craze is over… I Officially Hate Him a Little Less Than I Used to”
- “Oh, So You Don’t Like the Sadie Dupius Solo Album? Well What if I Told You She Talks about Licking A** on it?”
- “Pimp C Died 11 Years Ago”
- “An Exact Transcription of My Inner Dialogue While I’m Reading the Wikipedia Blurb on Houses of the Holy.”
- “It’s Hard to Explain, but ‘What I Got’ Made it Alright”
- “The Wallflowers’ ‘Bleeders’: Once an Underdog, Always an Underdog”
- “Dolby’s Rupees: ‘Zak and Sara’ by Ben Folds”
- “Electric Ladyland 50th Anniv.: The Story of ‘Burning of the Midnight Lamp’ and Why I Think it’s the Best Jimi Hendrix Song”
- “Dolby’s Rupees: Phish – ‘Dirt'”
- “A Brief Explanation of What Was Probably an Incoherent Rant”
- “Pontificating on the Distinct Possibility that The New Yorker Drove Grimes out of Music with Their Awful 2015 Story ‘Pop for Misfits’”
- “II is My Favorite Zep Album and ‘What is and What Should Never Be’ is a Logically Important Song in the Popular Rock Pantheon… I Have Proof!”
- “Massive Attack’s ‘Teardrop’ is the Best Song Ever and it Might Be about, Uh, Something…”
- “So I Was Just Schemin’… ‘Ava Adore’ Might Be about Courtney Love”
- “Most Interesting Man on the Planet? Sorry Dos Equis… It Was Once Jean-Michel Basquiat”
- “They Got All of Our Hopes up for This New Beach Boys Album So I Might as Well Write about ‘Country Air’”
- “As for That Bizarre Fact That Anybody Still Cares about the VMA’s, it Could Have Something to Do with Green Day and Their Continued Rocketarianism”
- “One Amusing Miracle within a Larger, Dystopic Miasma of Capitalism”
- “Crickets Twiddling on a Sunday”
- “Ted Leo as Affirmation That People Should Stop Doing These Stupid Anniversary Celebrations for Albums”
- “The Warped Tour is Dying… Does Anybody Even Care???!??!!?”
- “Ok, Three Years Have Passed… I Think I Can Finally Think Coherently about This Time I Went to See a Comedy Open-Mic in My Hometown”
- “LIVE’s ‘Turn My Head’ as a Paean to Summer Itself”
- “A Jessica Hopper Haiku”
- “My Own Two Cents on the Siamese Dream 25th Anniv.”
- “Rockin’ out to Some Sammy Hagar Like a Big F** ’Cause That’s Just What I Do”
- “How Big Would ‘Lounge Fly’ Have Been Given Single Release and Autonomous Completeness?”
- “Beach Rock Spotify Playlist with Several Like-Artist Add-ons”
- “Liars Would Be Better Than Radiohead to See Live This Summer”
- “Searching for the Perfect Buddy Holly Collection, Thinking Tenuously That I’ve Got it Pinned down to 20 Golden Greats: Buddy Holly Lives.”
- “Looking back on Kings of Leon’s ‘Joe’s Head’ after 15 Years, or, on the Death of the Non-Douche-Bag”
- “Just out of Curiosity: Who Exactly Raised the Excommunication on Boy Bands?”
- “My Evening at Work, 07/01/2018”
- “Sifting through the Snobbery and Downright Incompetence Toward Understanding the Layered Masterpiece That is Soundgarden’s King Animal.”
- “Coming to the Unfortunate Conclusion That Courtney Love Really Didn’t ‘Love’ Kurt Cobain and That This Possibly Has Far-Reaching Implications for Humanity”
- “Online Scribes: You Are Not Defendants”
- “In Looking back: Carson Daly Was Probably Way Underrated as a Show Host”
- “A Note on Jimi Hendrix and the Importance of Jamming and Improvisation”
- “Film Spotlight: Crossfire Hurricane.”
- “Orange Stars on Dark Blue”
- “Dolby’s Top 300 ’90s Alt-Rock Singles / Introduction: Context, Context, Context”
- “Dirty Computer by Janelle Monae is a Schizophrenic Grab Bag Composed Partially of Semi-Permanent Etude and Otherwise of Atrocious, Rehashed and Machinated Mainstream Goop”
- “A Little Diatribe on How Undervalued Music is in America”
- “Lassoing in Some of CAKE’s Strongest Motifs both within and without Realms That Are Literary”
- “Some Albums Like Jim James’ Uniform Distortion Take a While to Come out… Por Que?”
- “There is Sexism Inherent in Band of Skulls and Maybe England at Large, or Just Southampton”
- “The Best Nirvana Album: Is it Possible That it’s Bleach?”
- “The Most Dominant 1990s Sector of Culture: No Way is it Music”
- “Coll-ifornian Dreamin’”
- “Guide to American Festivals / 2018”
- “alt-J and the Birth of the ‘Rock Version’”
- “Gorillaz and ‘Music for the Listener'”
- “Issue ‘Young Vic Live’ on Its Own and It Could Be Better than Live at Leeds.”
- “Music Appreciation Class: Leave No Uncomfortable Stones Unturned”
- “Away from the Aesthetic in Culture”
- “Further on David Byrne and the Dichotomy of Pop Artist and Originator”
- “I Must Deeply Apologize but I Really Can’t Stand Vic Mensa”
- “Pearl Jam Needs New Songs in Order to Hew an Exciting Concert Experience in 2018”
- “Discovering Eternally Even Like Christopher Columbus Discovered America and Reevaluating the Place of Album Covers in Music”
- “Analyzing N.E.R.D’s All Star Game Performance and the General Position of Music in America”
- “Looking back on Fleet Foxes’ ‘He Doesn’t Know Why’ after 10 Years”
- “Inside All the Depressing Implications of the Free Press Article on the Michigan Rattlers”
- “Don’t Fret: The Black Panther Superhero Movie Really IS a Social Movement”
- “I Think Love This Giant Got St. Vincent Dropped from 4AD”
- “It’s Not Enough to Be Disrespectful”
- “What I Discovered about My Own View of Race by Researching Stand-up Comedy”
- “On the 1990s and Social Calamity Being Correlative with Artistic Quality”
- “Lou Reed and Why Rock Lyrics Don’t Work as Anthemic Quote Material”
- “On My Ever-Waning Ability to Read Catch-22 by Joseph Heller”
- “Michael Che – ‘Black Lives Matter’ Comedy Bit Transcription”
- “Midnight North and the Return of the Lame ’90s-Style Band”
- “Dude, Where’s My Hometown?”
- “Untitled 254”
- “Roots Picnic 2018… ¿Que Va?”
- “You Get One Billy Squier ‘Lonely’ Night”
- “We’re Talkin’ Originals, Mother Nuts-ers”
- “On Imagine Dragons and the Burgeoning Phenomenon of Objectively Meaningless Music (Which is Not to Say ‘Bad’ Music)”
- “Dolby’s Rupee’s: Yo La Tengo – ‘It’s Alright (The Way That You Live)’”
- “Look Ma, I Discovered Jane’s Addiction – The Great Escape Artist (Sort of Like How Christopher Columbus ‘Discovered’ America)”
- “This Holiday Season: ARE YOU THE DEACON??!!?!?”
- “Notes on Moving Back to My Hometown at 26”
- “A Little Story about moe. and the Necessity of Differences in Music Taste”
- “That Moment You Realize They Could Name a Different Beer after Every Single Song on Marcy Playground.”
- “An Analysis of Mike Doughty’s Poem ‘Other Fish,’ Slanky, p. 9″
- “A Personal Confession: I Really ‘Missed the Boat’ on Strangers to Ourselves.”
- “A Rhetorical Interrogative as to Why Almost No Attention Has Been Paid to the Beat Making Process on To the 5 Boroughs.”
- “On Spotify and iTunes: Por Que No Ween – Live in Chicago?”
- “Offering Proof That Music Can Be Objectively Bad, Since I Have Nothing Else to Do Today”
- “Why Didn’t the Wilco Show at the Palace in St. Paul WORK?”
- “‘Teachers on TV Land’ Proves That Bad Teacher Was an Influential Piece of Cinema”
- “Tracing the Theme Repetition at the End of a Pop Song to Herman’s Hermits (Something Your Grand Pappy Already Knows, Probably)”
- “Unpacking the Lyrics to ‘Turquoise Boy’ and Hypothesizing on Any Presaging Qualities They Might Have Had”
- “A Call for More Musicians to Be Named Nobel Poets, at the World’s Leisure”
- “Against Positivity in New Lyrics”
- “Shopping for Music, Fall 2017”
- “Exploring a Couple of Disarming Music Videos: Cat Power”
- “Neil Young, Spotify, and Why I Have a Problem with Calling Him ‘Grunge’ in the First Place”
- “Celebrating Musical Diversity in Indiana… ‘Cause Why the Fu** Not”
- “On Tom Petty, Aging and Complication”
- “Saturday Mishmash, 09/16/2017”
- “Taking a Break from Conventional Posting to Assure Everyone That Music Criticism Sucks as Bad as Everything Else Does Right Now in America”
- “The Truth about MASS MoCA and Jeff Tweedy’s Biannual Solid Sound Festival”
- “The Velvet Underground: A Brief Compendium of Allusion both Literary and Intra-Cultural, Subject and Object”
- “Applying Basic Psychology to John Wozniak’s Current Weight Problem (By the Way He’s Not THAT Fat)”
- “America, 09/02/2017”
- “After 16 Years of Action: Tracing What Liars ‘Stand for’”
- “Pandora Sucks”
- “On Charles Harrison’s Freakish Stroke of Luck at Phish, Summer 2017 New York”
- “Is Rock and Roll a Strand Which is Slowly Killing off White People?”
- “08/16/2017, America”
- “A Pop Ambush Involving Beck, Lotus Plaza… and More!”
- “Meat Puppets 101: Dolby Disaster Style”
- “The Liam Gallagher U2 Comment: Is it Inspired, or is it Nationalism, or Peer Pressure?”
- “Review Above by Mad Season? Eh, Let’s Just Make Fun of Pitchfork.”
- “A Feeble Attempt at Listing All the Things Wrong with Everclear’s White Trash Hell EP — a Nonetheless Partially Enthusing Collection of Songs for Completists”
- “List of Green Day Opening Acts”
- “311: A Criticism Compendium”
- “The Day Sub Pop Killed Wolf Parade”
- “Nirvana’s Album Bleach Does Not Exist within a Vacuum”
- “Examining a Possible Excessive Virility Element as an Explanation of CAKE’s Intermediate Popularity as a Band”
- “The Second Attraction Reggae Artist to Bob Marley: Sifting through the Many Worthy Candidates”
- “Beginning to Hash out This Big Star/Cheap Trick Rivalry over the That ‘70s Show Song”
- “A List of Mind-Bogglingly Stupid Things Which Have Been Said on Consequence of Sound and Pitchfork.”
- “Beginning to Hash Out The Veritable Explosion of Critical Sucking-up We See Online Today”
- “Look Mom, I Discovered Len (Kind of Like How Christopher Columbus ‘Discovered’ America)”
- “Beck: Is He Suffering from the ‘Salinger Condition’?”
- “The Church Bells All Were Broken: Giving ‘American Pie’ a Good ol’ Half-A**ed American Listen in Summer 2017”
- “… 1”
- “Rage against the Machine — What is This?”
- “A Roundabout Quest for Gathering the Meaning behind Ted Leo’s ‘Tell Balgeary, Balgury is Dead’”
- “Looking Back on Kill the Moonlight After 15 Years, with the Priority of Measuring and Evaluating the Band’s Talking Heads Influence”
- “…”
- “Dolby’s 12 Days of Soundgarden: Day 11 (Beginning to Parse This Whole Seattle/’Home’ Problem in Grunge)”
- “Dolby’s 12 Days of Soundgarden: Day 10 (A Roundup of Industry Perspectives on the Singer’s Life and Death)”
- “Dolby’s 12 Days of Soundgarden: Day 9 (Tracing Grunge’s Lineage as a Style and Parsing and Evaluating Soundgarden’s Self-Ingratiation Therein)”
- “Dolby’s 12 Days of Soundgarden: Day 8 (Discussing the Punk Androgyny and Uninhibited Simplicity of ‘Kickstand’)”
- “Dolby’s 12 Days of Soundgarden: Day 7 (Down on the Upside: Nice Guy’s Album or Just Album for Saps?)”
- “Dolby’s 12 Days of Soundgarden: Day 6 (The ‘Black Hole Sun’ Video as the Pinnacle of Multimedia Creative Expression)”
- “Dolby’s 12 Days of Soundgarden: Day 5 (Dismantling the Absurd Notion That Audioslave is of Any Importance Whatsoever in the Scope of Chris Cornell’s Alternative Rock Career)”
- “Dolby’s 12 Days of Soundgarden: Day 4 (What Would Be the Best Songs to Play at Chris Cornell’s Wake?)”
- “Dolby’s 12 Days of Soundgarden: Day 3 (Seeing the Grunge Prototype Stretch its ‘Tendrils’ into the British Rock of PJ Harvey)”
- “Dolby’s 12 Days of Soundgarden: Day 2 (On Soundgarden’s Undeniable Presence in Indianapolis)”
- “Coming to Terms with the Chris Cornell Suicide, My Own Way”
- “A Pointlessly Thorough Analysis of the Band Name ‘Liars’ with, Hopefully, Artistic, Sociological and Humanistic Implications (or Just Aimless Cognitive Doodlings)”
- “Cheer up, America, At Least It’s a Good Day for Conde Nast!”
- “Worst Remaster Ever: Let’s Go with Smashing Pumpkins – Siamese Dream.”
- “Unpacking Fiona Apple Discourse from over the Years (‘Cause He**, She Asked for it)”
- “‘Look for You Yesterday, Here You Come Today’: The Poem That Gave Birth to Bukowski’s Introspective Platitudes”
- “Everclear: As White Trash as My Upbringing Was”
- “Examining the Possibility of the Absurd in Grizzly Bear, 2009, with Allusion to Present Day”
- “Exposing the Shocking Discovery That Hail to the Thief is Actually Better than A Moon Shaped Pool BECAUSE it Doesn’t Recycle Songs”
- “Why I Have a Problem with SNL Spoofing Trump”
- “Taking down the Feeble Entity of ‘Electronic Rock’ (as if I Really Had to)”
- “How Did This Happen to St. Louis?”
- “Gimme Danger notes”
- “A Case Study: Has Anybody, Anywhere, on the Entire Face of the Planet, Actually Listened to the Entire Radiohead Album A Moon Shaped Pool?”
- “Dolby’s Rupees: The Beatles – ‘Within You Without You'”
- “Exposing the ‘Gimmixx’ behind Certain New 4AD Projects”
- “Some Rambling on Weezer’s, and California’s, Big Picture”
- “Examining the Morality of Moby’s Archaeological Dig ‘Flower,’ on Academy Awards Night, No Less”
- “Old Green Day Songs That the Tunes on Revolution Radio Remind Me of”
- “The Slow Formulation of the Formidable ‘Me’ on Jagged Little Pill.”
- “On Wilco, Son Volt and the Need for an Enemy”
- “1994 and the mid ‘90s: Was it a Pop… DEAD ZONE???????”
- “Go Home I’m Trying But I’ve Been Misled by Dirty Cartoons”
- “Oh Look at Me I Can’t Read Wikipedia without Getting Piping Mad”
- “Rock Stigma Refreshingly Denigrated”
- “Tracking the Move from Rock to Pop in East Coast’s Sebadoh and the West Coast’s Modest Mouse”
- “Badfinger’s Masterpiece ‘We’re for the Dark’: Was it Actually Written by Paul McCartney?”
- “Green Day – ¡Uno!, ¡Dos! and ¡Tre! (Abridged and Recapitulated)”
- “How Radio Saved Me”
- “Just Being a Di** Again: The ‘Vinyl’ Craze Annulled by Beatles Project”
- “Pearl Jam’s Vitalogy Has Never Been Remastered on CD… Why Not???”
- “Attempting to Glean They Want My Soul as a Deliberate Ploy for Making Fun of Critics and Audience Members”
- “Hereby Restating That Third Eye Blind is Not Truly Third Eye Blind without Kevin Cadogan”
- “I Can’t Afford to Go to the Better than Ezra Show in Chicago”
- “My Opinion on All This Anti-Michael Moore Yammering”
- “My Unlikely Source of Refreshing Periodical Plainness: Vanity Fair.”
- “Painted Rust on the Stones: Blue & Lonesome’s Critical Reception”
- “4th Estate and Its Moat: The New Yorker Post-Trump”
- “Jim Carrey: Maybe Untangling This and Other Messes”
- “Grateful Dead – Europe ’72: The Classic Album That Should Have Been”
- “A Bit More on Live, and What It’s Like to Have to Listen to the Wrong Album”
- “‘From a Motel 6’ and Introducing State-Dependent Artistry in Rock”
- “DD Reader’s Poll: ‘Bob Dylan Stories'”
- “Third Eye Blind/Blue Same-Tempo Pairings”
- “Vinyl Me? No Thanks”
- “A DD Sojourn: Appealing to Dennis Leary’s Sophisticated Therapy Technique of ‘Shut the fu** up!’”
- “Eve 6 is My Favorite Band Now? Eh, Things Could Be Worse”
- “‘Serf to Serf’: No Age’s Self-Fulfilling ‘Punk’ Prophecy”
- “Watchdogging East Coast Fanfare: On Bowie and More”
- “A Little Musing on the Scabrous Polarity Which Seems to Relentlessly Typify Our Society”
- “Attempting to Extract ‘Blues’ Motifs from the Erstwhile Sovereign ‘12-Bar’ System”
- “A Soup Dragons/Record Store Pep Talk”
- “On Whether True American Virtue Can Ever Disembody the ‘Hippie’”
- “Looking Back on Ryan Adams’ Red Headed Stepchild Rock N Roll, and the Most Unfortunate Phenomenon of Sounding ‘too white,’ Even When You’re Making Expressly White Music to Begin with”
- “A Bit on ‘Trucker’s Atlas’ and How Modest Mouse is Necessarily, Obstinately, White People’s Music”
- “How the New Preferential Treatment of Mainstream Music Embodies a Certain Lack of American Nationalism”
- “Ideal Site for New Summer Festival to Save the Face of Music: Why, Indiana, Of Course!”
- “Classic Album Showcase: The Sebadoh.”
- “On the Tenuous Extent to Which Rock and Roll Was Ever Intended to Tend to a ‘Society’”
- “The ’90’s as Affective Temporal Epicenter in Art (When Maybe, Adherents to Culture Were Actually The Catalyzing Ones?)”
- “Remembering John Lennon (35 Years Later)”
- “‘You Can’t Always Get What You Want’ and The Onset of ‘Dumb’ Music in Our History”
- “Feminism is for Squares: Exposing Fraud and Potentiating Rock and Roll Mojoes in Sonic Youth”
- “On Gluttony as Statements and The New Yorker’s Unique Brand of Yup-Hop”
- “A Bit on Third Eye Blind’s Impossible, Cosmic Mid-Song Contradictions”
- “A Few Sporadic Recommendations on How to Take the Potent Capsule That Is 21st Century Green Day”
- “Allotting Musics for Days of the Week”
- “Crosby, Stills & Nash as Kitsch Pop but Viable Beat Poetry, or, Tracing the Sociological Roots of ‘Hippies’”
- “A Case Emphatically in Favor of Songwriting Democracy within Bands”
- “Waxing Nostalgic on Innovation: My Current Led Zeppelin Kick”
- “The Strokes’ Future Present Past EP: A Skeptic’s Introduction to Joy Division”
- “Hypocrites Like Us: Incubus and the World of Necessary Caucasian Platitudes”
- “On Kim Deal and the Importance of Empowering Women in Realms of Self-Expression”
- “20 Years of Hype!.”
- “Spring Reading on the NME Meter: Juiced as Hell”
- “The Black Crowes: First in Indie Pop… Or Were They?”
- “Stephen McBean: On My Short List of Musical Geniuses”
- “Pitchfork’s Review of The Tipping Point: An ‘Indie-Compatible’ Artifact (Plug Your Nose)”
- “Dolby’s Rupees: Cream.”
- “Soul Asylum’s 1998 Professional Undoing Candy from a Stranger: Is it Their Best Album?”
- “One Particularly Poignant Day on Paste.”
- “Maggot Moose Mutterings on Modest Mouse Memoranda”
- “On the Natural Midwestern Aversion to Moby and Play.”
- “Lauren Holmes, Identity Whoredom and Pay-as-You-Go Discovery of the Human Mind”
- “Weighing the Pros and Cons of My NME Subscription Thus Far”
- “On the Incensing Lack of Props for Music Movies in America”
- “Looking back on ‘American Car’ after 10 Years, and How Nothing in Life is Worse than Aimlessness”
- “’90’s Revival: Don’t Forget the Melodious Diva”
- “DD Readers’ Survey: ‘How Do You Listen to Your Music?'”
- “Pontificating on Race Implications in Hoop Dreams.”
- “A Summary of the Poetic Styles Rendered within The Hollow of the Hand.”
- “Hip-Hop as British Reference Group and The Life of Pablo’s Frat-Boy Anticlimactix”
- “Don’t Knock Phineas Gage: South Bend Got Its Start on Cover Bands”
- “Artist Profile: Selena Gomez… also Alternative Grammys”
- “Framing A People’s History with The Hives’ Discography, or, Jibing in Perfect Emotional Lockstep with the Calamitous Tendencies of Human Existence? Sounds Like a Job for… The Hives!”
- “Roots and Crowns and Be He Me: Looking back after 10 Years”
- “Looking ahead to Beck at Jazz & Heritage: ‘Cause What Else is a Loser to Do?”
- “‘Baltimore’ is Great, But is it the Last Trick in the Bag for Stephen Malkmus?”
- “Hashing out the Late-’90’s Posture of Abrasiveness Nagging ‘Circles’”
- “Man, I Really Got Ripped off on This Depression Cherry Thing”
- “This is America: We Call Each Other By Our Last Names Here, Like It’s Military Combat”
- “Looking ahead to Jazz & Heritage: A Better than Ezra Compendium”
- “Straw Men and Courtney Love’s Great ‘Montage of Heck’ Heist”
- “While We’re Young: Ben Stiller’s Highly Underrated ‘America’ Montage from 2015″
- “Dolby’s Rupees: Red House Painters – ‘Funhouse'”
- “The Opening Slot: By Far the Most Interesting Aspect of This Upcoming Pearl Jam Tour”
- “The Pleasures of the Damned: Bukowski on Prozac”
- “Stevie Nicks: The Best ‘Product’ Ever”
- “A Deep, Detailed, Pertinacious Blurb on the Acute, Stupefying Stupidity of Humanity”
- “Tracking ‘Zero Chance’ by Soundgarden’s Progress at the NFL Combine”
- “Framing ‘All My Love’ as Killing-the-Critics-with-Kindness, Retrospectively”
- “Dolby’s Rupees: Soundgarden – ‘Ty Cobb'”
- “Looking back on the Critical Eye-Gouging That Surrounded Blaster.”
- “A Little Musing on Greatest-Hits Selection Ironies and Quirks”
- “Dolby’s Rupees: The Pretenders – ‘Space Invader'”
- “The Rock and Roll Hall of Fame Has Zero Validity until Jethro Tull is Inducted”
- “Stone Temple Pilots’ No. 4 as Postmodern Noise Slab”
- “Midwest Medley 12/09/2015”
- “Early December: Remembering Scott Weiland”
- “2010: The Year Rock Died”
- “Dolby’s Rupees: The Pretenders – ‘Space Invader'”
- “Built-in, Phantom Persona as Integrity’s Vehicle in Reed, Velvets and Beyond”
- “Don’t Get Any CREEM on Your Legs: Exposing the Mind-Boggling Arrogance of the Occult Magazine’s Book Compilers”
- “My ‘South Bend Three Favorite Bands’”
- “A Little Shoutout to ELO”
- “‘Between Thought and Expression Lies a Lifetime’: Applying Velvet Underground Discourse to Pearl Jam and the Eddie Vedder Quandary”
- “‘European Son’: Showcasing the Velvet Underground’s Only True Show-Stopper”
- “Re-Loaded 45th Anniversary Edition a Perfect Reissue… What?!?”
- “Jad Fair & Yo La Tengo’s Strange But True: The Great Lost Album of the ’90’s”
- “Looking ahead to Brownstein at MCA, Posing Questions”
- “Hunger Makes Me a Modern Girl Quotation Compendium”
- “A Little Musing on the Right and Wrong Times in Which to Play Smashing Pumpkins’ ‘1979’”
- “Feminism Invades Art: Jessica Hopper and Hunger at MCA”
- “One Metaphoric Wrinkle amidst Quarries of Image: The Hollow of the Hand‘s Initial Works
- “DD Reader’s Poll: Who’s Your Go-To’s?”
- “Humanity, New Poetry Books and Why I Have a Problem With Bernie Sanders”
- “Sebadoh – Bubble and Scrape: A Mixtape Maker’s Cherry Orchard, But Classic Album? Eh”
- “Case Study: Are Shamir – Ratchet and Duran Duran’s New Album… Actually the Same Album???”
- “You Are the Transcended in a Butane Bath”
- “Alice in Chains: The Boy Who Cried Wolf 20+ Years ago”
- “B’lieve I’m Goin’ Down: The Most Honest, Hard-Working Bad Music out There”
- “Third Eye Blind and the Death of the Rock Guitarist”
- “Auxiliary Post: Potential Best of The New Pornographers Collection”
- “Where Would We Be without Our Platitudinous Categories?”
- “‘Pop Star’: The Last Bit of Asbestos to Be Scraped from the Culture Mausoleum”
- “Delilah”
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- “Don Henley and the Myth of Success Vs. Struggle, and American Romance”
- “A Little Music Theory Rambling Update / 09.10.2015”
- “Highlighting the Explosion of Vital LA Rock in the Days of the Drought”
- “Looking ahead to Chrissie Hynde and the ‘Recklessness’ of Reality”
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- “The Pixies and the Key to Playing Old Songs (Never Having Enjoyed Them in the First Place)”
- “The Who Hits 50!: A Flaccid Commemoration Compilation to Perfectly Match the Inane Enterprise of Anniversary Tours”
- “DD Rockabillly Podcast / Summer 2015”
- “Contemporaneity and the ‘The Longest Time’ Phenomenon”
- “PJ Harvey and a Determination of Quintessential ‘Imagism'”
- “The Red Hot Chili Peppers and the Real Popular Vote”
- “This Video Game Review Thing That Happened in 2012 as Onset of Pitchfork’s Decline”
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- “Rock Albums in 2015: There’s Nothing ‘Cheap’-er”
- “The Velvet Underground & Nico: Really Peeling the Banana”
- “The Ongoing Zeppelin Debate and the Quality/Jealousy/Indignation Vertex”
- “On Whether Scott Weiland and the Wildabouts are a Viable Hipster Draw”
- “Dolby’s Rupees: The Velvet Underground.”
- “The White Collar and the ‘Phat Phunk’ of Beck’s First Nadir”
- “Praising Rolling Stone’s Handling of Modest Mouse but Curtailing their Street Fight Complex”
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- “A Little More Commentary on the Unfortunately Waning Level of Weirdness in American Culture”
- “A Hopelessly Meandering Endorsement: The 7 Secrets of Awakening the Highly Effective Four-Hour Giant, Today.”
- “Calling for a Chicago Hard Rock Chronicle”
- “Rock and Roll Pet Peeves Revisited: Fake British Accents”
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- “An Historical Valediction of Jack White’s Geographical Move to the South”
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- “10 Giant Classic Rock Songs — Historics, Heroics, Holistics”
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- “Ignorace”
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- “Manifolds”
- “Cooperation”
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- “South Bend, Indiana- The Best Grassroots Rock Scene in the Nation (Fall 2014)”
- “An Eraser”
- “Downtown Going”
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- “Tea Shaped”
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- “Linoleum”
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- “Sandstone”
- “Cats”
- “Home”
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- “The Singer by the Pack of Dogs”
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- “Winter”
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- “Gettin’ Pumped for Spring Releases”
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- “Album Spotlight: Billy Squier – Emotions in Motion.”
- “Buried within the Brushes of the Parochial School”
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